This series was made around the Kelpies, not as monuments to be admired, but as surfaces to be read. I was drawn less to their scale than to how people move around them, pausing, photographing, passing through, and to how the sculptures fracture when seen through glass, reflections, and partial views.

The work sits somewhere between observation and abstraction, steel becomes texture, figures become interruptions, and familiar forms dissolve into pattern and rhythm. Rather than describing the Kelpies themselves, these images are about proximity, how we encounter landmarks indirectly, through layers of weather, architecture, and everyday human presence.